期刊文献+

文学史中的作家形象问题——以《中国现代文学三十年》(修订本)中的刘云若为例

Writers' Images in Literary History--A Case of Liu Yun- ruo in "Thirty Years of Chinese Modern Literature"
在线阅读 下载PDF
收藏 分享 导出
摘要 文学史意识、文学史观的形成必然受制于历史、现实与个体,文学史著作因而具有天生的主观性,不可避免地带来文学史对象的选择、诠释和文学历史文本建构的主观性、个人性,刘云若的文学史命运和绘形,便是此主观性的具体体现.文学史著选择、过滤众多史料时,不可舍弃深刻影响作家创作内在生成机制及其心理构成的部分;文学史家在书写时应高屋建瓴地透视对象的作品,深层次把握作家创作的灵魂.只有这样,能在史实和史识的博达洞见中,与对象作有价值的、心灵深处的对话. History, reality and personality can restrict the forming of the concept of literary history, which produces the congenital subjectivity of literary history works. And this brings the subjectivity and individuality of choosing and explaining their object and constructing literary history works inevitably. Liu Yunruo's image in literary history works is an example of this subjectivity. When choosing and sifting numerous historical materials, writers shouldn't abandon those that closely influenced the writings' generative mechanism and writers' artistic mentality. They must look into their objects' works from a strategically advantageous position in order to touch their creative soul. Thus, they can have a valuable dialogue with them in their heart with historical materials and profound opinions.
作者 章妮 ZHANG Ni(School of Literature and Journalism, Shandong University, Ji'nan, Shandong 250100, China)
出处 《昆明理工大学学报:社会科学版》 2005年第2期 90-94,共5页 Journal of Kunming University of Science and Technology(Social Sciences)
  • 相关文献
论文智能改写系统
维普数据出版直通车
投稿分析
职称考试

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部 意见反馈