摘要
柏拉图认为,诗艺作为摹仿的活动,只能是真理的影子.因此.在他的《理想国》中驱逐了诗人。但是,柏拉图所说的“诗人”并不是一个全称概念,它特指那些使诗成为人们的消遣之物的诗人,这一点可以通过他对喜剧诗人阿里斯多芬作品的肯定考察出来。柏拉图强调,诗必须与人的本真生存紧密相关,艺术是人之为人的本真活动,而不是人们消遣的物品。正是在这个意义上,柏拉图以“理念”的认识来衡量诗艺,这对西方后世有着重要影响。
Plato was thought to object pocts by the reason that the poetry was not real knowledge, and the Public must refused the poets unless they can prove that the poetry was related to the metaphysical idea. In fact, poem means not the dramas only for people' s cntertainment, but the real living activities of human for Plato. Searching for the truths and criticizing the popular culture is the purpose of Plato' s poetry, spirit which can be noticed in the comment of drama Frog.
作者
黄茂文
HUANG Mao - wen (Chinese Department of Renmin University Beijing 100872, China)
出处
《北方论丛》
北大核心
2006年第6期 34-37,共4页
The Northern Forum
关键词
理念
诗艺
喜剧
悲剧
生存活动
Idea
Art
Comedy
Tragedy
Activities of Living
作者简介
中国人民大学博士研究生