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郭沫若新诗创作的“颓废”审美——基于民国报刊里读者批评文献的搜集与整理 预览

On the"Decadence"Aesthetics in Guo Moruo's New Poetry Creation Based on the Collection and Collation of Readers'Critical Literature on the Newspaper in the Republic of China
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摘要 时代语境的变迁造就了诗人风格的变幻,文学史的叙述往往将郭沫若的创作转型设定为一种自然的大众化演绎。然而,民国报刊中的读者批评揭示出郭沫若新诗一以贯之的“颓废”质素,继而指明革命动机与方向中的“颓废”意识,诗集《女神》奠定的“颓废”种子在新诗演变的历程里继续生长,“五四”时期的死亡、忧愁、狂躁的“颓废”情绪,逐步演变为大革命失败后的消沉寂静的“颓废”气质,凸显出郭沫若新诗创作的矛盾张力。借助读者传播接受的史料,可以清晰地发现郭沫若新诗创作的“颓废”元素,即便在诗人倒向革命阵营后,其痕迹依旧不可避免地残存与延续。 The change of the context of the times has created a change in the style of Poets.The narrative of literary history often sets Guo Moruo's creative transformation as a natural mass interpretation.However,the readers'criticism in the newspapers of the Republic of China reveals the consistent "decadence" quality of Guo Moruo's new Poems and Points out the "decadence" consciousness in the revolutionary motives and directions.The "decadence" seeds laid by the Poetry "Goddess" continue to grow in the course of the evolution of new Poetry.The death,sorrow,and arrogant "decadence" sentiment during the May Fourth Period gradually evolved into a depression and quiet "decadence" temperament after the failure of the Great Revolution,highlighting the contradictory tension of Guo Moruo's new Poetry creation.With the historical materials accepted by the readers,we can clearly discover the "decadence" element of Guo Moruo's new Poetry creation.Even after the Poet falls to the revolutionary camp,its traces will inevitably remain and continue.
作者 田源 TIAN Yuan(Department of Common Required Courses,Sichuan Fine Arts Institute,Chongqing 401331,China)
出处 《长沙理工大学学报:社会科学版》 2019年第2期122-128,共7页 Journal of Changsha University of Science & Technology
基金 重庆市社会科学规划项目(2018BS35) 四川美术学院2018年博士重大课题培育项目(18BSPY006) 国家社科基金重大项目(16ZDA186)阶段性成果.
关键词 民国报刊 读者批评 郭沫若 新诗 “颓废” 审美 革命 newspaper in the Republic of China reader criticism Guo Moruo new poetry "decadence" aesthetics revolution
作者简介 田源(1987-),男,重庆人,讲师,文学博士,主要从事中国新诗及中外文学关系研究。
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参考文献3

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