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乌利茨卡娅早期作品人物塑造模式中的男性视角 预览

The Male Perspective in the Characterization Mode of L. Ulitskayas’ Early Works
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摘要 俄罗斯当代著名女作家乌利茨卡娅早期代表作《索尼奇卡》《美狄娅和她的孩子们》中的女性人物始终被置于男性视角的审视之下。这种独特的、站在异性角度来评价女性的写作方式在作品人物外貌的刻画、性格的塑造以及命运的安排上均得到了体现,反映出作家对女性传统道德操守的认同。男性视角的介入展示了后苏联时期女性的精神困顿及无奈命运,同时这也是一种典型的二元对立写作模式,几乎贯穿了乌利茨卡娅写作生涯的始终,并同她的戏剧创作也有所联系。男性视角的运用证明早期创作阶段的乌利茨卡娅并非一名纯粹的女性主义作家。 The female characters in Sonochka, Meidiya and Her Children, the early masterpieces of Ulitskaya, a well-known contemporary Russian woman writer, have always been scrutinized from the male perspective. This unique way of evaluating women from the perspective of the opposite sex is reflected in the depiction of the characters’ appearance, the shaping of their characters and the arrangement of their destinies in these novels, which reflects the writer’s recognition of the traditional moral integrity of women. The involvement of the male perspective shows the spiritual distress and helplessness of women in the post-Soviet period. At the same time, it is also a typical binary oppositional writing model, which runs through Ulitskaya’s writing career and has some connection with her dramatic creation. The use of the male perspective proves that Ulitskaya was not a pure feminist writer in the early stages of her literary creation.
作者 唐可欣 TANG Ke-xin(Department of Drama Literature, Central Academy of Drama, Beijing 100710, China)
出处 《海南师范大学学报:社会科学版》 2019年第2期92-97,共6页 JOURNAL OF HAINAN NORMAL NUIVERSITY
基金 中央高校基本科研业务费专项资金资助(中央戏剧学院院内科研资助项目“契诃夫戏剧在俄罗斯当代剧作中的承袭与戏仿”)(项目编号:YNQN1813)的阶段性成果。
关键词 乌利茨卡娅 早期创作 男性视角 女性人物 Ulitskaya early works the male perspective female characters
作者简介 唐可欣(1988-),女,黑龙江大庆人,文学博士,中央戏剧学院艺术学理论博士后科研流动站博士后,主要从事俄罗斯戏剧、俄罗斯文学研究。
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